Yayoi Kusama's Immersive Artworks

Yayoi Kusama is a Japanese artist crowned as "Princess of Polka Dots". Shes a artist who's widely known for her immersive project " The Looking Glass". Where Kusama plays with the concept of infinity. She creates this feeling by constructing multiple mirror rooms with different concepts and theme within each of them. 

"All the Eternal Love I Have for the Pumpkins" 

"Aftermath of Obliteration of Infinity"

"The Obliteration Room"

Finals : Einstein's Dreams

This first concept is four boxes that are only connect on the edges of one side with holes in the back of each boxes facing each other. The purpose of this is to allow the views to reach their arm into the hole  and stretch towards the other participants that are in the boxes. The goal is for them to struggle reaching one another and rarely actually touching, creating a stuck in time feeling. 

This concept plays with the silhouettes of the participants. Multiple large pieces of paper dangled from the ceiling and in a row are with spaces in between large enough to fit a person.  A light source will then be at one end shining through the pieces and as the participants walk between the pieces of paper they are able to see other's silhouettes but never meet. 

Similar to the previous concept, this concept also plays with the silhouette of the participants. However this one will be set up as a maze with multiple light sources all around them. The participants are then able to move through the maze freely and see the silhouettes of the others around them, but not knowing where they are to reach them.  The maze also adds to the feeling of being stuck. 

This next concept reflects the 3 separate accounts of holiness in time within Einstein's dream.  Each boxes will be surrounded by flowers leading the viewers to want and step into the boxes. However the box' entrances will be low requiring the viewers to crawl into it and also preventing the views from seeing what's inside. Inside the boxes will be plain recreating the feeling of loneliness. The viewers are now also trapped and would have to find a way to crawl out again.  

The last concept plays with the concept of time having different textures. There will be multiple boxes with each having a different texture such as using strings and glue to mimic stickiness or fabric to mimic the soft and flow of time.  

Memories of a Fallen Emperor

Emperor Robe : Progress

 For this project I decided to recreate an emperor's robe. I took many influences from countries such as Japan, China, and Vietnam for my designs. The robe is made of raw silk which is often associated with Asia. I chose to print the robe in red and gold, a common color found in almost every Asian country. The color red represents luck while the gold represents wealth. I wanted to challenge myself by hand sewing everything from scratch. Although it was very time consuming and hard, I have no regret. The process was very tedious, but looking at the product and being able to say I hand sewed everything myself is the biggest reward. I've learned so much through hand sewing that I wouldn't have been able to if I would've relied on a machine.

Printmaking : Pattern Experimentations

Our assignment was to carve out our linoleum blocks and experiment with the patterns. I chose to play with the orientation of the hands and how they reach for each other.  However I wanted to create a block that would fill up the white space between the hands so I carved a very eastern pattern mimicking waves. The wave acts as a separation between the two cultures but also adds more depth for the pattern as a whole. 

Printmaking : Pattern Making

Today's assignment was to simplify our drawing with sharpie into something that could be used to create a pattern. I chose the hand illustration because it allows me to show the image reaching out to something. I want to orient the hands to that they are reaching for each other. This visualize the clashing of two culture in a more positive term. The two hands are reaching out to each other, wanting to touch, but not. I also want to incorporate patterns into the background and the hand to differentiate the two. I chose to contrast the patterns making one more rounded while the other more straight to further emphasize the clashing of the two cultures. 

The three concepts I decided to create revolves around cultures clashing. Often when two cultures clashes with each other the individual is forced to choose one over the other. I wanted to incorporate this into the first piece through symbols and colors. Red in most situations stood for an eastern ideal, specifically Vietnam. The blue represents western ideals, such as America. The first concept depicts a red hand surrounded by a blue smoke. The red hand represents the Vietnamese culture I was raised in and the blue smoke represented the American influences. The hand is covered with a very Eastern pattern showing the main influence, however blue repetition of the same pattern starts showing up showing the slow effects of the Western influences. The second concept is a red portrait. The red portrait is then covered with western influences such as gauges and tattoo which is not normal or has a bad connotation if eastern cultures. The phrase " Who Am I Now?" portrays the confusion the individual feels as the two cultures fight to dominate the other. The last concept is of a broken fortune cookie. Fortune cookies are often associated with Asian restaurants, however they were invented in the United States. The fortune cookie is a good example of a product when two cultures clashes. The fortune cookie is surrounded with lotus flowers and roses, the national flowers of Vietnam and America respectively. The fortune says " Choose a Side Already" showing the pressure of many Asian American to assimilate and leave one culture behind, usually their eastern side.